Sunday, April 12, 2015

REVIEW-BIG CITY CLITS-CANDY CUNT-CASSETTE

BIG CITY CLITS-CANDY CUNT-CASSETTE
P.E. MAFIA PRODUCTIONS
POWER ELECTRONICS/HARSH NOISE
COMES IN A PLASTIC BAG WITH FRONT AND BACK
INSERTS.ON A BLACK CASSETTE.NO STICKERS.
A AND B INDICATED WITH BLUE AND PINK SHARPEE.
LIMITED TO 35 HAND-NUMBERED COPIES.
BIG CITY CLITS IS:
JESSE KLING (RAPE-X/RECTOCEL/SUB-DUST/SHELLEY DUVAL)
VONNIE (G.G. LOHAN)



SIDE A.) 
I.) BIG CITY CLITS / II.) CANDY CUNT /
III.) PUSSY WORSHIP / IV.) ARE YOU A PERVERT?
SIDE B.) 
V.) MY ORGASM>YOU / VI.) DTF / 
VII.) KLEPTOMANIAC / VIII.) YUM-YUM CUM /
IX) PENETRATE ME:

This album sounds absolutely filthy. BIG CITY CLITS is a two peice
Harsh Noise/Power Electronics project consisting of Jesse Kling on
electronics...Known mostly for his work with RAPE-X and the raunchy
vocal stylings of Vonnie from the band G.G. LOHAN which is some of
the nastiest stuff you'll hear anywhere.Together they team up as BIG
CITY CLITS to deliver some of the sickest shit to hit the underground
in some time. Musically the album is quite similar to RAPE-X and hits
hard with powerful distorted electronic soundscapes with a very DIY
aesthetic in the vein of some of the more perverse and Lo-Fi artists
from the early 90's.The sound is huge and loud and comes in floor shaking
waves of intensity.All the knobs are cranked up to ten.Vocally this thing
oozes in a kind of sperm-soaked hatred you'd expect a bitter ex porn star
to unleash upon whatever poor fucker fired her before her contract expired.
Punkish, snotty shouts and in your face rants on subjects that you would
never wish to hear from your teenage daughter.After listening to this I
had the urge to go down to the nearest local clinic and get tested for every
S.T.D. known to man.The subject matter is so vile and over the top that it is
pretty damn hilarious at times. The type of dark comedy that is considered in bad
taste by most...Like what you'd expect from an ANAL CUNT or AGORAPHOBIC NOSEBLEED
album. BIG CITY CLITS hold nothing back and unleash like a lusting load to the face.
Most of the tracks clock in at under-two minutes long so it has that hit and run type
of vibe you'd get from Hardcore Punk or Grindcore. There is a lot of bass here that
rattles, shakes and vibrates in your ears like a housewife hosting a sex toy party
that went terribly wrong. Soaring frequencies and feedback join in an auditory 
intercourse with rhythmic bouts of destruction and pounding Punk Rock percussion's.
The only down side here is that it's a short tape offering around thirteen minutes
of stimulation before it's over so consider this a quickie...But unless you're a tight
ass upstanding citizen then I am sure you will enjoy it...I doubt anyone reading a webzine
promoting music of this sort is gonna be surprised to see a positive review of a release with
song titles such as "Pussy Worship", "Yum-Yum Cum" , and "Penetrate Me." The last being a slower
track with sleazy and seductive vocals that leaves the listener shamefully panting for more.

TRASHY POWER ELECTRONICS WITH FEMALE VOCALS THAT SOUND LIKE A RABID METH-ADDICTED PROSTITUTE
ON A RAMPAGE AGAINST ALL SETS OF MORAL VALUES. A GREAT WAY TO INTRODUCE YOUR CHILDREN TO THE
REAL WORLD:

7/10
-ABATTOIR-

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